The Waverley Gazette

Sharing the Doughnut recipe (without yeast) from The Glasgow Cookery Book

21 days into January.

The diet is going so well.

The new year resolutions are bedded in and working.

That exercise plan is delivering all the promised results.

The daily walk in lockdown is energising and turning your life around.

The little cycle on the bike you promised yourself once a week is stretching muscles again.

The new sledge you bought is flexing in the slush and burning lots of calories as you drag it back up the incline.

It's nearly time for some Robert Burns in preparation for Monday.

(It's not just going to be a packet of Mackie's Haggis Crisps, is it? And a quick leaf through of Tam again. No, this time you will learn a new poem by heart and sing.)

Surely today must be special also? 21.01.2021...

The reward for all this hard work? All the new achievements are surely worth this reward?

Yes.

We are sharing a recipe from the wonderful 'Glasgow Cookery Book' today and this time it is - doughnuts. The quick way. No yeast. No worries about time. And no protests or concerns about "too many calories" as you are, after all, sharing them with the neighbours. Again. Remember? You are already smelling that sweet fresh doughnut aroma. You can already sense the hot sugary delightful taste. You are walking to the kitchen, measuring out the ingredients. You are creating a beautiful batch of fresh doughnuts. Heaven.

Thank you Glasgow Cookery Book, and all the gals who went before us to perfect this recipe.

Recipe copyright Glasgow Caledonian University

Recipe for Dropped Scones from The Glasgow Cookery Book

And what do we need on a cold (or hot, depending on where you are when you are reading this) January day?

Yes, yes, we know. That very long list in your head... and on it goes.

But as we are where we are, what about a little simple recipe from 'The Glasgow Cookery Book'? Only 8 ingredients for the real deal, that real excellent taste experience - mmmmmmmmmmmmmmm - or just four ingredients if you are rushing, can't get out, are STILL in your pyjamas, can't get going, and only have 10 mins. (And we've all been there...)

It's a fun quick recipe to try, and easy to make with children who can measure out things (between online lessons).

Sugar, eggs, milk, flour. Just four! So make that. Start where you are, start small. Build up, as our mums told us...

But then make it with all the ingredients to get the full long-established, tried and tested, experience.

Think of the syrup.. think about the difference a little salt makes? That rich glorious taste brought by the cream of tartar and bicarbonate of soda... The professional touch. That zing on your tongue. The perfection to your day. The colour. The promise.

Maybe put them (the bicarb and the tartar, not M&S pancakes, although, why not as well...) on your next shopping list and make pancakes until you perfect them.

Surprise your neighbours with a gift. Post some to friends. You can plan it today. And you've got a month still before Shrove Tuesday.

A Scotch pancake. It's a poem. A masterpiece. A work of art. Transform your day, your energy level. Your life!

Flip your normal energy levels into a new you. Or maybe instead just flip the scones and eat them. Don't let Pancake Day crepe up on you this year. But enough of this waffle!

This small but perfectly formed dropped scone can be made from 'The Glasgow Cookery Book'.

Ahhhhh....

Thank you 'Glasgow Cookery Book', Glasgow Caledonian University, and all those women who went before us, giving us heaven on a plate. We owe you.

28. DROPPED SCONES or SCOTCH PANCAKES

Ingredients:

200 g Self-raising Flour ( or 200 g Flour, 1 level teaspoonful Bicarbonate of Soda, and 2 level teaspoonfuls Cream of Tartar)

25 g Sugar

1 level teaspoonful Salt

1 dessertspoonful Syrup

1 large Egg

250 ml Milk (approx.)

Time:

1–2 minutes each side

Method:

1. Sieve dry ingredients.

2. Add egg, syrup and sufficient milk to give a thick batter consistency.

3. Drop mixture in spoonfuls, onto a fairly hot griddle or non-stick frying pan.

4. Cook until lightly browned, turn, brown second side.

5. Cool in a tea towel.

Note: If iron girdle is used, grease beforehand.

Copyright: Glasgow Caledonian University

Gilda T Smith : I like to add a dessert spoonful of veg oil. It helps to lengthen the shelf life.

Carolyn Lynn : I put in 10g melted butter

Gilda T Smith added: I’m just lazy, Carolyn! Butter is best!

‘Waverley Scotland Tartan Commonplace Notebooks’ and ‘The Robert Burns Connection’. It’s a love affair… By Ron Grosset, founder of Waverley Books, and Geddes & Grosset

Love, notebooks, tartan and Burns - it's a love affair

'Social media' as such is not a new phenomenon. Notebooks or ‘commonplace books’ of centuries ago were like today’s Facebook and Instagram, Tik Tok, Tumblr and Pinterest. Commonplacing was and is about remembering, writing, reading and sharing.

21^st century Twitter, blogs and our world of social media hark back to a tradition of sharing of personal thoughts and writing. A tradition that is hundreds of years old.

Cabernets and Merlots

Here at Waverley Books, we’ll have been journaling and sketchbooking between us for the last 30 years or so. It's more than that, but let's call it 30. Piles of notebooks are filled, and then filed – some neatly, others randomly, each of which record thoughts and plans and good intentions. Some notebooks are hastily scribbled. Other notebooks have more considered ramblings. Sketches, bits and pieces stapled or taped in place. Currency rates clipped from newspapers, and stuck in, are alongside notes about Cabernets and Merlots and big Italian wines with now crumbling dried-up Post-Its struggling to stay in place. The pencil notes are hard to decipher now; the softness of the marks on the page seem faded, but the record is there still.

Some notebooks are ruled. Some are blank, some squared. Their ribbons are frayed. Some have bindings that failed, held for life now with elastic bands. Business cards – and long-lost receipts, unclaimed or undeclared, are found in the pocket at the back. There are punchlines written – but they lack the joke. Phone numbers without names attached and sizes of things in centimetres – and prices, with drawings, and scorings-out, ticks and crosses of jobs done and not.

It only took us 25 years of running this publishing business (or so) to figure out that we should put something of our experience together as book publishers and journalers and create something special.

Commonplacing

The trigger behind Waverley Scotland’s notebooks was none other than Robert Burns. Robert Burns kept journals and notebooks and practiced, as it was in his time, ‘commonplacing’.

‘Commonplacing’– is what is called ‘journaling’ these days. Journaling is nothing new. 'Mindfulness' is perhaps a new word for what Burns did, wandering along the banks of the River Ayr and focusing on a poem that may become a masterpiece in a day or so (in 1790). It's a new word for living in the present and being present so you can notice the trees and water in such a way you are taken out of your current thought process and lifted clear. Using a notebook or journals to record that present moment is an established traditional method. Commonplacing for mental health? Commonplacing for filing? Commonplacing ideas.... Commonplacing for anxiety? Commonplacing for beginners. Commonplacing ideas.

We were working on a book: ‘Robert Burns in Edinburgh’. It was an interesting idea - just why were the years Burns spent in Edinburgh so vital to the development of his life as a poet and writer? It was not authored by Burns scholars or academics but put together by three Burns-curious Glaswegians. Checking roots and sources took us to Robert Burns’ ‘Commonplace Notebooks’ – which can be seen today at the Burns’ Museum in Alloway.

A new idea

Meanwhile, Waverley publisher Liz Small took a call at the Waverley office – in the early months of 2013 – from Deirdre Kinloch Anderson.

Scots everywhere know the name and company ‘Kinloch Anderson’. The company is over 150 years old, is based in Edinburgh and holds Royal warrants to supply Tartan and Highland Dress to HM The Queen, HRH The Duke of Edinburgh and HRH The Prince of Wales.

Kinloch Anderson wanted a corporate history published in an illustrated book – and we took the task on which became A Scottish Tradition. A follow up history recently followed in Tailored for Scotland (published in 2020).

Just as with Robert Burns in Edinburgh, the publishing responsibility required us to become immersed in tartan, its history, development and importance.

It's all in the binding

It was that experience that caused us to wonder why had no one produced journals, or notebooks bound in genuine British tartan cloth? A wee bit of Scottish heritage and culture in your pocket – as a journal, or notebook.

We soon found out why. Genuine tartan cloth is what it is. Cloth. It is woven and because it is cloth, it stretches – nigh on impossible to use for book or journal binding which by its very nature stresses the cloth in every direction.

McGonagall and Kolkata

Some years previously, we had published a book 'The Comic Legend Of William McGonagall'. We thought it would be a great idea to bind it in jute to make the connection between the world’s worst poet, McGonagall and Dundee, the home of jute. Spike Milligan was a big fan of McGonagall. As were we. But as we keep finding out, what seem to be great ideas at the time often bring great problems. However, we managed, and published the first book ever, bound in jute.

I read from this volume to a full house in a theatre at the Kolkata Bookfair in 2007 (organized by The British Council) – McGonagall’s The Tay Bridge Disaster and I was astonished that the Bengali audience joined in with every chorus:

"On the last Sabbath day of 1879,

Which will be remember’d for a very long time."

Turns out that McGonagall was taught in Bengali schools as ‘how not to write poetry’ by teachers trained in Scotland at Moray House, Edinburgh. I presented my copy to the Mayor of Kolkata, who I imagine still recites from it daily.

So now, we had two great poets to be inspired by: Burns and McGonagall. We were inspired. We then embarked upon a bit of R&D with some trusted partners and we created Waverley Scotland Tartan Cloth Notebooks, bound in genuine British tartan cloth, woven with the authority of Kinloch Anderson Scotland.

Auld Lang Syne and A Red, Red Rose

Launched early in 2016, Waverley Scotland now have journals / notebooks in 48 tartans in 80 plus versions, including some which celebrate Scottish songs with Burns connections. The songs include A Red, Red Rose, bound in genuine Burns Check, and Auld Lang Syne in the tartan of that name. The paper we use is FSC and the boards are made from recycled board.

The quality of these Waverley Commonplace Notebooks is inspiring journalers across the world, who are ‘commonplacing’.

The inspiring thing about a new journal or notebook is the sheer quality and beauty of the blank object. Rather like being given a new ‘jotter’ or notebook at school, it is the newness that initially inspires all sorts of things. Neatness (to begin perhaps), but the journaler is not writing homework – today’s journaler is doing one or more of many things.

Robert Burns – A Poet in Personal ‘Lockdown’ - the ‘Stay at home’ order, 1787

Robert Burns – A Poet in Personal ‘Lockdown’ - ‘Stay at home’ order, 1787

By Ron Grosset, adapted from a text by Gabriel Setoun, with detail from Robert Burns In Edinburgh, by Jerry Branningan, John McShane and David Alexander (published by Waverley Books)

When Robert Burns (1759 – 1796) was ordered to ‘stay at home’ in 1787 it was not as a result of an edict from William Pitt the Younger, the Prime Minister of Great Britain at the time.

Burns was confined for six weeks. Given our current lockdown circumstances it is interesting to recall how Caledonia’s Bard occupied his time. He used it creatively, of course, and embarked on romantic interludes also, of course. But more on that soon and with a little background information to set the scene first.

The previous year and publication

The Kilmarnock Edition of Burns’ work was first printed and issued by John Wilson of Kilmarnock on 31 July 1786 in the Scottish town of Kilmarnock, about 17 miles (28 km) from Alloway, his home village. Burns then hoped for a second edition but could not reach a suitable agreement with Wilson, who wanted Burns to pay for the paper in advance. With no second Kilmarnock Edition of his poems coming to fruition, Burns first went to Glasgow, to seek a publisher there, and then to Edinburgh, encouraged by Dr. Blacklock, a blind Edinburgh poet of some distinction whom Burns respected.

Burns had worked towards publication of his: Poems, Chiefly in the Scottish Dialect (Edinburgh Edition) for some time. The volume was first printed by William Smellie in Edinburgh and published by William Creech of Edinburgh on 17 April, 1787. The Kilmarnock Edition had made Robert Burns ‘Caledonia's Bard’, whilst the Edinburgh Edition elevated him into a position amongst the world's greatest poets. At that time Scottish society was led by Edinburgh, and Burns was the talk of the city.

Once the Edinburgh Edition was published achieving a fuller edition and a wider audience for his poetry, his work there was done, and there was no reason for the poet to prolong his stay in Edinburgh. It would be some time before his publisher William Creech could make a final settlement of accounts with the poet, and Robert Burns decided that the interval would be usefully spent travelling. He left Edinburgh on 5 May 1787, a fortnight after the publication of his poems.

Tours

For some time leading up to the episode of his confinement, Robert Burns had been undertaking what are known as his ‘tours’.

Burns spent the summer of 1787 travelling. He visited some of the classic scenes of Scottish history and romance. Until then he had seen little outside his native Ayrshire and Edinburgh. His first tour was to the Border country, crossing the Tweed at Coldstream where he stood on English soil for the first time. With his companion, Robert Ainslie, Burns visited such places as Roxburgh, Jedburgh, Dryburgh and Melrose, noting the scenery and admiring the ruins recorded in a journal of his tour. He journeyed to Carlisle and made his way back to Dumfries where he was honoured as a Freeman of Dumfries.

Ellisland

Burns inspected a farm at Ellisland on the Dalswinton estate in Dumfries and was not greatly impressed. On 9 June he called at Mossgiel to find things not going well with his brother Gilbert and the family. He met again with Jean Armour. This time he had the full approval of her parents whose attitude towards Burns was totally changed now that he had found fame and success. Not surprisingly, given his elevated status, the poet found himself incapable of settling down in the humble circles of his family life in Ayrshire.

Burns’ First Highland Tour

Two weeks later he was off on his first Highland tour. He travelled alone and left no record of his exact route although his letters reveal he visited Inveraray and Dumbarton.

He returned to Edinburgh in August to try to recover more of the money that Creech owed him. He also planned a more extensive tour of the Highlands with William Nicol, who taught at the High School in Edinburgh.

He visited Bannockburn, Killiecrankie and Culloden, to which he made brief patriotic references in his journal and letters, ventured as far north as Elgin and Inverness, called at Aberdeen and spent some time among his relatives in the country of his ancestors around Stonehaven. Burns and his companion travelled some 600 miles in 22 days in a post-chaise, a four-wheeled fast, horse-drawn carriage.

Burns’ final tour in October 1787 was along the Ochils through Linlithgow to Stirling. The principal point of interest in this journey was a stay at Harvieston House in the Devon Valley near Stirling, where Burns renewed acquaintance with Margaret Chalmers, whose family lived on a farm near Mauchline and whom he had met in Edinburgh.

Burns courted her for eight days, and according to Margaret herself, proposed marriage, which she refused. Margaret Chalmers married an Edinburgh banker, Lewis Hay, in December 1788, and as Burns had said, it is improbable that they met again.

Burns' Return to Edinburgh

Back in Edinburgh once more, Burns worked enthusiastically on the task of collecting Scottish songs with an Edinburgh engraver, James Johnson, who was compiling the first volume of The Scots Musical Museum. His delight in this work was overshadowed by continuing doubts about his future. Another visit to Ellisland again left him undecided about accepting the farm, and still Creech had not paid up. In Edinburgh society, as he had predicted, Burns was not the celebrity that he once had been and he knew he must leave the capital to make his living in a more everyday way.

At last, however, having run out of patience with his publisher and recognising the futility of his hopes of preferment or appointment in some other role, he had resolved early in December to leave Edinburgh, when he was unexpectedly compelled to stay against his will. A double accident befell him.

Mrs Nancy McLehose

In December 1787, he attended a party given by the sister of revenue officer John Nimmo. The party was notable because he was introduced to Mrs Agnes (Nancy) McLehose, née Craig, at Miss Nimmo's house in Alison Square. Agnes McLehose, Nancy to her friends, was small and pretty. She and Burns were immediately attracted to each other and neither made any attempt to conceal the fact.

Married at the age of seventeen, Nancy was badly treated by her husband and left him after four and a half years. She had borne three children (one dying in infancy) and was carrying a fourth. Her husband had taken the children from her by force, then because of debt was thrown into prison. On his release he left the country, never to return, leaving Nancy to fend for herself and the children. Since 1782 Nancy had lived in Edinburgh under the protection of her cousin, William Craig.

Nancy then invited Burns to her house in Potterrow for tea. However, the day before they were due to meet, Burns injured his leg in an accident. Through the carelessness of a drunken coachman, he was thrown from a carriage and had his knee severely bruised and was confined to his room for six weeks, Dr. Alexander Wood having diagnosed a dislocated knee.

The meeting with Mrs McLehose was a serious matter and, for both, most unfortunate in its results.

Sylvander and Clarinda

Burns’ reaction to falling in love yet again was typical. During his enforced ‘stay at home’ confinement he began a lengthy romantic correspondence with Nancy in which they addressed each other by the names of Sylvander and Clarinda. Nancy was aware that in the eyes of society and in those of her cousin, on whom she depended, her position as a married woman was a delicate one. She seems to have held Burns at arm’s length while continuing to inflame his passion.

These letters are well-known, but more famous is ‘Ae Fond Kiss’, the parting song which Burns sent to Mrs McLehose after their final meeting in December 1791.

The letters came thick and fast via the Penny Post. The Penny Post was started in Edinburgh by Peter Williamson – or Indian Peter as he was known, is an adventure story of its own. Any letter dropped at one of numerous locations between 9 am and 9 pm would be delivered within the hour. Enter into the story Jenny Clow.

Jenny Clow

Jenny Clow was a domestic servant to Mrs Agnes McLehose. She was the daughter of Andrew Clow and Margaret Inglis from Fife and was the youngest of eight children.

The letters between Sylvander and Clarinda became so frequent that Agnes became afraid that the liaison would be exposed, so, having started the exchanges via by The Penny Post, she switched to using her maid, Jenny Clow, to be the messenger. A decision she and Jenny Clow were soon to regret.

There were 52 letters from Burns to Mrs McLehose – all but the fIrst four bearing the pseudonym "Sylvander," to which she responded as "Clarinda". The majority were written in a period of 14 weeks of the winter of 1787-8.

While Burns was ‘locked down’ because of his injured knee, Mrs McLehose sent Jenny Clow to deliver one such letter to the poet and stayed too long. Burns seduced her.

The twenty-year-old Jenny Clow gave birth in November 1788 to Robert Burns’s child, Robert Burns Clow.

Leaving Edinburgh

Burns’ affair with Nancy showed no signs of progressing, and he rode off from Edinburgh to return to Mossgiel. Back in Ayrshire, events moved swiftly. He took up again with Jean Armour who was about to give birth to another set of twins—girls who both died within a few weeks of their birth—and married her. He also signed the lease on Ellisland Farm in the spring of 1788. Meanwhile Robert Burns made it known that he was willing to take the baby Robert Burns Clow into his home, but his mother would not part with him.

Through the influence of Robert Graham of Fintry, a commissioner of the Scottish Board of Excise, the government organisation responsible for the collection of tax, Burns was granted a six-week course of instruction designed to fit him to be an exciseman and—this completed—he moved into Ellisland in June to prepare the place for Jean and their one surviving child, Robert (the other twin, Jean, had died late in 1787).

Nancy McLehose heard of Burns’ marriage from his friend, Robert Ainslie, who also had a mild flirtation with Nancy. She maintained silence for a year then wrote again to Burns.

The White Hart Inn, Edinburgh

Burns was summoned back to Edinburgh by Agnes McLehose by letter, who informed him that Jenny Clow, (who had given birth to Burns’ child Robert Burns Clow) was dying. On 29th November 1791, Burns arrived at the The White Hart Inn on his last visit to Edinburgh – curiously not staying with any of the good folks he had met in the New Town or the Southside. He stayed for a week and met with Jenny for a few hours giving her an undisclosed sum of money.

Ae Fond Kiss

At the end of November, Clarinda accepted an invitation from her husband in Jamaica to join him there and in the belief that she was about to leave the country forever she consented to receive a parting visit from Burns – the meeting took place on 6th December 1791. They exchanged locks of hair and never saw each other again. The poem Ae Fond Kiss And Then we Sever, normally referred to as Ae Fond Kiss, was written after their last meeting. The lyric by Burns is recorded by many as a famous song.

Robert Burns Clow later became a wealthy merchant in London. Robert married and had a son, also Robert Burns Clow, who went to Borneo, married a chief's daughter and was killed by pirates. Although he named his own son after Robert Burns, he never capitalised on the link with his famous poet father.

Available from Waverley Books -

The Complete Poems and Songs Of Robert Burns ISBN 9781849342322

Robert Burns In Your Pocket ISBN 9781902407814

Robert Burns In Edinburgh by Jerry Brannigan, John McShane, David Alexander ISBN 9781849341714

Young Robert Burns (for young readers) ISBN 9781902407074

www.waverley-books.co.uk